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Cat Who Walks through Walls
As the old guard of SF ages, we are getting more novels of nostalgia. Heinlein is less sentimental than many of his generation but his new book resembles both the latest Bradbury, in making the author the protagonist, and the latest Asimov, in returning to a popular series from early in his career (Future History). Like Heinlein, Richard Ames is an ex-military man turned writer who fancies himself a pundit. An assassination attempt precipitates his marriage to Gwen Novak and sends the newlyweds scurrying to the Moon and then to the planet Tertius, headquarters of the Time Corps. The action, though, is largely beside the point in a novel that is predominantly a dialogue between the protagonists. Their foredoomed attempt to become the Nick and Nora Charles of space (with a bonsai standing in for Asta) is sabotaged less by Heinlein's endless elbow-in-the-ribs wisecracks and more by his inability to convincingly portray a sexual relationship. Given the increasing popularity of his recent, similar work, it is unlikely that the book's short-comings will limit its potentially large audience.
Citizen of the Galaxy
SLAVE: Brought to Sargon in chains as a child - unwanted by all save a one-legged beggar - Thorby learned well the wiles of the street people and the mysterious ways of his crippled master . . . OUTLAW: Hunted by the police for some unknown treasonous acts committed by his beloved owner, Thorby risked his life to deliver a dead man's message and found himself both guest and prisoner aboard an alien spaceship . . . CITIZEN: Unaware of his role in an ongoing intrigue, Thorby became one of the freest of the free in the entire galaxy as the adopted son of a noble space captain . . . until he became a captive in an interstellar prison that offered everything but the hope of escape!
Job: A Comedy of Justice....
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