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\ /: _\ rippers /____: release no ( 9839 ) \ rating |: \_____. |: artist (Misanthrop vs Phace ) | .---. |: title (Viperfish VIP / Alive ) | 0 | | |: record label (Subtitles (SUBTITLES069) ) | 9 |%%%| |: genre (Drum & Bass ) | 8 |%%%| |: release date (2008/11/08) | 7 |%%%| |: street date (2008/12/15) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (12:54 min) ( 19.1 mb) | `---' |: `----------': _. ____ ____ ____ __
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| A 7:12 Misanthrop - Viperfish VIP |
| B 5:42 Phace - Alive |
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| | Misanthrop is Michael Braeuninger, based in | |
| | Stuttgart, southwest of Germany. He was | |
| | caught up by the dark sounds and menacing | |
| | beats of drum and bass in the nineties, as it | |
| | developed more into an intense musical | |
| | hybrid. This is when he decided to produce | |
| | his own tracks under the name Misanthrop, | |
| | which enables him to use music as a medium to | |
| | express personal experiences of human | |
| | interactions. His musical arrangements | |
| | symbolicly oppose to the lack of candour his | |
| | aim is to break through the borders of | |
| | conventions to set new unusal grounds. With | |
| | his debut on Teebee s imprint Subtitles and | |
| | his release on Mayhems Shadow Law Rec., | |
| | Misanthrop gets heavy rotation with the likes | |
| | of Calyx, DNAudio Crew, Mayhem, Noisia, | |
| | Pendulum, Phace, Teebee etc. Alive by Phace | |
| | is on the flip and was featured on Noisia s | |
| | Fabric mix CD. | |
| | | |
| | Pure future funk on this one by Misanthrop | |
| | and from Phace on the flipside! | |
| | | |
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| | | | | | | | | | | | d i s c l a i m e r: |
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| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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/____________________|: sour productions(c) 1999-2008
|
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